Showing posts with label 2016. Show all posts
Showing posts with label 2016. Show all posts

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Warcraft the movie 2016 showtimes online streaming uhd Warcraft song, Watch Warcraft full movie online now.The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home.,what are Warcraft movies in order Warcraft synopsis full movie Warcraft 2016 HD Movies, Full Length Movie
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Title : Warcraft
Warcraft genre : Action, Adventure, Fantasy
Warcraft crew : Charles Roven, Tessa Ross, Charles Leavitt, Mary Vernieu, Michael K. Bauer, Simon Duggan, Paul Hirsch, Mayes C. Rubeo, Grant Van Der Slagt, Gavin Bocquet
Warcraft release date : 26 August 19 7 1
Warcraft runtime : 123 Minutes
Warcraft Crew : Charles Roven, Tessa Ross, Charles Leavitt, Mary Vernieu, Michael K. Bauer, Simon Duggan, Paul Hirsch, Mayes C. Rubeo, Grant Van Der Slagt, Gavin Bocquet
Warcraft movie cast :
Paula Patton, Travis Fimmel, Ben Foster, Robert Kazinsky, Dominic Cooper, Toby Kebbell, Ben Schnetzer, Daniel Wu, Clancy Brown, Ruth Negga
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The peaceful realm of Azeroth stands on the brink of war as its civilization faces a fearsome race of invaders: orc warriors fleeing their dying home to colonize another. As a portal opens to connect the two worlds, one army faces destruction and the other faces extinction. From opposing sides, two heroes are set on a collision course that will decide the fate of their family, their people, and their home. Warcraft 2016 review : I really was expecting very little from this movie, but I was surprised. Good action and quite a decent story. Not all fresh, but well put together.

I think the biggest pity is the lack of talent of Fimmel. He learnt how to perform for Vikings and he lays another flat copy of the same character.

Positive points to the very good OST by Djawadi.
Even if you have never played "Warcraft" or "World of Warcraft" before,
I think you will like this movie. It has a great story, good acting &
is visually stunning. The special effects are not over the top, but are
very good & believable. Do yourself a favor & don't think of this a
another "video game movie", see it & you will love it & want another to
be made. I hope this turns this into a great franchise, there are too
many good stories in the "Warcraft" universe waiting to be told on the
big screen. Some non WoW fans might have a hard time following the fast paced story, but watch it again if you missed it & you will understand it more. I think there could have been a bit more character development & the addition of a narration track might help non Warcraft fans understand a little better, I hope they will do a little better on the sequel.
**One fights for their new home and the others to defend theirs.**

I never played Warcraft game in my life, nor read comic book, but I enjoyed this new fantasy universe. Azeroth is the world where this story takes place. When the Orcs planet was destroyed, they use a magic portal to get to Azeroth and make a safe home. But that is where humans and other intelligent species live peacefully. A new race means a new conflict to solve the differences. So the battle commences at no time to gain the power to rule the land. Between the two great powers, who wins is the film to tell us in the rest of the parts.

It was something like 'Avatar' and 'The Lost of the Rings' coming together. Despite having alien race, it is very much an action- fantasy film, not a sci-fi. From the games to film, it was awesomely made which is obviously a latest trend in the filmmaking. The graphics were good, but not perfect, and that's fine, because it succeeds to give the game look than the realistic one. I think that's the point, otherwise no disgrace to call it was inspired by the games or comic book.

I know it is not a masterpiece like 'The Lord of the Rings', but there's a promise like the quality and story and its characters. There's no big names, but these actors who are known mostly for their supporting roles has given their best. Like I said I'm new to this Warcraft universe, so I don't know anything outside this film, but I'm kind of neutral on the war between the humans and orcs. Because one's world was destroyed and they're seeking a new home and the other ones are defending theirs. So everything makes sense from both the perspectives for their actions.

This is just a beginning, there's lot more sequels to come. Though, it's a pity that it failed in America, the native product, but internationally proved it is one of best of its kind, I mean games to screen adaptation. The director of 'Source Code' did a great job and all the actors, including those motion-capture artists. I missed Zoe Saldana in this, to be as another blue or green skinned alien specie, instead Paula Patton did well in a similar role. The character name also very similar to the one from 'Guardian of the Galaxy'. I know it's going to get even bigger in the follow-up, so I can't wait for it. Hope it will release in less than couple of years.

_8/10_

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Title : Independence Day: Resurgence
Independence Day: Resurgence genre : Action, Adventure, Science Fiction
Independence Day: Resurgence crew : John Papsidera, Robert Loggia, Jay Hart, Harald Kloser, Harald Kloser, K.C. Hodenfield, K.C. Hodenfield, Roland Emmerich, Roland Emmerich, Roland Emmerich
Independence Day: Resurgence release date : 1 January 19 6 9
Independence Day: Resurgence runtime : 120 Minutes
Independence Day: Resurgence Crew : John Papsidera, Robert Loggia, Jay Hart, Harald Kloser, Harald Kloser, K.C. Hodenfield, K.C. Hodenfield, Roland Emmerich, Roland Emmerich, Roland Emmerich
Independence Day: Resurgence movie cast :
Liam Hemsworth, Jeff Goldblum, Jessie T. Usher, Bill Pullman, Maika Monroe, Sela Ward, William Fichtner, Judd Hirsch, Brent Spiner, Patrick St. Esprit
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We always knew they were coming back. Using recovered alien technology, the nations of Earth have collaborated on an immense defense program to protect the planet. But nothing can prepare us for the aliens’ advanced and unprecedented force. Only the ingenuity of a few brave men and women can bring our world back from the brink of extinction. Independence Day: Resurgence 2016 review : "Independence Day: Resurgence entertains like few Hollywood blockbusters have of late, largely by foregoing pretension on every level and drilling down on the basic tenets of popcorn moviemaking..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/6/22/independence-day-resurgence.html
**The earthlings are united to defend the home from another alien attack.**

I have said it many times that when I love a film, I always pray for a sequel to come. But I won't do that for all the films like perhaps 'Taken' and this one. These are not designed for that kind of a stretch or to own a franchise. So anyway they have made it and I'd watched. Since I was not expecting it, I did not care about the how it ends. I mean critically failed and the box office was okay, but did not meet the expectations. I mean not found anywhere near to the original film's collection.

For me, minus half point for the Chinese flavour. I think the Hollywood must stop leaning towards Chinese contents. It is like they are ignoring the rest of the world. I want the old days American films, not this yuan targeted films. Sorry, that is one of the reasons why I disliked films like this, 'Now You See Me 2' and many other recent sino-Hollywood films.

This story takes place 20 years later to the original film. Only a handful of characters returned and many of them were new. So now the humans leaped forward after adapting the alien technology. But when they learn the distress call was sent to the base of the enemy from the 20 years ago event, they are underprepared for another alien attack that follows very soon. Without any option they push their full force to defend the earth and it would they succeed or not is what the remaining film to reveal.

Nowadays the graphics are not an issue. The filmmaking had touched down for a standard in the visual quality, especially a big production like this. So those parts even overplay the performances of the real actors. We have seen that from Gollum, King Kong and many other monster films. So if you are watching a today's high end film means, it is a pleasure from the blow ups we expect the most. Similar to killings from the horror thrillers. This film does that so well, that mean it is entertaining, but not the overall film very praisable.

This story can be easily connected to many classics such as 'Star Wars' and 'Avatar'. Because how it ends seems like a story about the origins of those films. So the third film is like definitely takes us deep into the space. Looks very interesting, but does it work is the real question. It is already in the work with the same director. So lets wait and see how it corrects its mistakes. Meantime, you can watch this if you haven't yet, but it is an average film.

_5.5/10_
Independence Day: Resurgence is pretty much what I expected. Actually, given all the negative reviews floating around, it is almost better than what I expected. As is almost always the case, all the 1 and 2 star ratings and “worst movie ever” reviews are pure bullshit. The biggest advantage the original movie had was the novelty of it all. This movie is really pretty much the same except for the special effects being even bigger to the extent that they are somewhat over the top at times and the plot somewhat thinner. Having said the latter, the original movie did not really have much in terms of plot either and the nonsense of giving a totally alien computer a virus was so bad it really dragged down the movie.

In the relatively short timespan of two decades humanity have improved their technology base by several orders of magnitude (ray guns on the moon etc. etc…). The speed of improvement is of course pretty unrealistic, even with access to alien technology, but hey, I can live with that in order to increase the coolness factor of the movie.

Then comes an alien ship. Not the aliens we all expected by another one. The ship is totally different from the previous ones, do not seem aggressive but of course dumbass politicians manage to screw everything up. Fast forward a couple of scenes and the “real” aliens arrive. Of course this time they have a bigger flyswatter and they perfunctorily proceed to swat away the puny, extremely slow firing, little ray guns of the humans and we are back to where we started in the original movie. Huge space ship parks on Earth, time for plan B.

Well there were quite a few scenes of big space ships, destruction and mayhem before the aliens finally manage to park their spaceship. I guess finding a parking space for a 5 000 kilometer space ship can be a bit tricky (I though I had an issue with my Jeep). Here is were I have quite some gripes about the movie. The special effects are cool, no question about it, but they are also exaggerated and throws any attempt to be remotely adhering to the laws of physics out the window. It is clear that whatever low intelligence storywriter that wrote that garbage flunked science classes in school, if he ever got that far of course. For instance, we have a 5 000 kilometer (the Earth radius is about 6 370 kilometer) that is big enough to generate its own gravity (apparently the engines somehow contributed to this) flies in and lands on earth. When it approaches items on the surface, cars, trains, ships, skyscrapers and bits and pieces of the Earth itself starts to fly upwards. It makes for cool effects but anyone with a mediocrum of intelligence ought to realize that such a force would actually destabilize Earth itself. Possibly change the speed of rotation as well as the orbit around the sun.

The story is full of other typical Hollywood stupidities and plot holes. Christ even my kids could spot the plot holes which were often big enough to drive a battleship through!

As for the acting. Well, I would say there is not too much to say about it. Most of the main actors managed to make it through the movie without screwing up too badly. Given that it was not the deepest or thought provoking movie one could imagine I would say that was good enough. The best character in my opinion was Judd Hirsch as Julius Levinson. The worst one was probably Dr. Okun. Not that Brent Spiner was making a bad job of representing him but the character was just to crazed out for my taste.

Okay, I will stop whining now. This movie was pretty much exactly what I expected. Great special effects tied together with a paper thin story. I went into it hoping that the effects were going to be good with little expectations on the rest and that is exactly what I got. The movie fulfilled my expectations completely and thus I consider it worth 7 out of 10 stars. I enjoyed the two hours watching it.

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Title : Ghostbusters
Ghostbusters genre : Action, Fantasy, Comedy
Ghostbusters crew : Dan Aykroyd, Dan Aykroyd, Harold Ramis, Beat Frutiger, Theodore Shapiro, Robert D. Yeoman, Jeffrey Kurland, Leslie A. Pope, Ivan Reitman, Tony Lamberti
Ghostbusters release date : 14 December 19 8 5
Ghostbusters runtime : 116 Minutes
Ghostbusters Crew : Dan Aykroyd, Dan Aykroyd, Harold Ramis, Beat Frutiger, Theodore Shapiro, Robert D. Yeoman, Jeffrey Kurland, Leslie A. Pope, Ivan Reitman, Tony Lamberti
Ghostbusters movie cast :
Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Chris Hemsworth, Neil Casey, Charles Dance, Michael Kenneth Williams, Cecily Strong, Andy García
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Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat. Ghostbusters 2016 review : "While it falls short of nailing the anarchic spirit and character chemistry of Ivan Reitman’s beloved 1984 blockbuster, Feig and his cast of game comediennes deliver enough thrills and giggles to both justify the long-in-development franchise-starter and smother the internet’s white noise of negativity..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/7/12/ghostbusters.html
Filmmaker Paul Feig's **Ghostbusters** reboot pretty much followed the characteristic aspects of his previous films ("Bridesmaids", "The Heat", "Spy") all incorporating a self-awareness of female-oriented friendship and the estrogen-driven escapades rooted in inspired goofiness. So given this familiar foundation of Feig's big screen blueprint one would expect that his creative input into the continued Ghostbusters franchise for the millennium moviegoers would result in the heralded hype his film project is now enjoying at large. Sure, the feminine-charged **Ghostbusters** seemed like a radical concept and would obviously trigger the nostalgic sentiments (and comparisons) of the classic 80's comedy spearheaded by beloved on-screen paranormal hucksters Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson. Nevertheless, singer Ray Parker Jr.'s lyrical catchphrase "Who you gonna call?" within the Ghostbusters theme song needs to be addressed accordingly. The answer: the handlers behind the original **Ghostbusters** film that could uplift the disjointed high jinks and synthetic silliness of Feig's current comedic ghostly she-power schlockfest.

It is only natural that **Ghostbusters** had high expectations for Sony Pictures to perform well given the aggressive marketing tactics, early release of the Ghostbusters movie trailer (which was heavily panned online) and the aforementioned cinematic legacy of the original film's fanatical following and reputation. However, this third installation of **Ghostbusters** feels curiously flat and strained in its stillborn witticism. The creep factor borders on campy and cheesy (although this effectively worked for Ivan Reitman's 32-year old spook-ridden farce in the eighties) for which in today's cinematic circle is inexcusable due to the edgier and challenging special effects that could have played up the whimsy and wonderment of this breezy, bubble-gum colored romp with seemingly low-grade spark and sizzle.

Feig's interpretation of the **Ghostbusters** universe could have been fresh and favorable especially with the colorful casting of his capable four female principals in the Emmy-winning and Oscar-nominated Melissa McCarthy along with Saturday Night Live personalities Kristen Wiig, Kate McKinnon and Leslie Jones. Unfortunately for these noted funny ladies they were saddled (or slimmed if you will) by a transparent script almost as invisible as the pesky ghosts they are trying to pacify. The recycled by-the-numbers hilarity and hysteria does not make this brand of ghost-busting quite distinguishing. Chemistry-wise, the Ghostbuster gals seem to revel in the collective merry-minded mischievousness and genuinely try to bring energy and outrageous antics to this flaccid frightfest. Still, the mixture of Ghostbusters' gooey gumption with a dash of egghead feisty femininity never seems to translate into anything beyond the tired gimmick of promoting another excuse to tap into yesteryear's profitable fun and frolic that made the wise-cracking Murray and his klutzy cohorts so amusing and welcomed in their rollicking ghostly gem from the Reagan-era.

Quite frankly the notion that **Ghostbusters** is unfairly being knocked for its misogynistic overtones fueled by bias Internet-based fanboys not accepting that nerdy womanly scientists cannot fill the shoes of their revered male counterparts from the previous two predecessors is somewhat misleading. Sure, the decision to cast an all-female **Ghostbusters** team turned some curious heads but for the most part many thought this to be rather intriguing and experimental. The actual disdain can be pinpointed to the fact that Feig's flimsy boo-spewing fable is grounded in cliched and forced chuckles, weak-kneed jokes and gags, lazy writing and uninspired visual neon lighting techniques that look like a cheapened explosion from a vintage late 70's New York discotheque.

Unfortunately, **Ghostbusters** wallows in mediocrity and fails to capture the acquired giddiness and imagination so pronounced in the prior entertaining installments. Even if the original actors in Murray, Aykroyd, the late Ramis and Hudson had decided to reprise their roles under Feig's problematic production the results would be the same--an aimless reboot without any definitive bite or backbone for a cobbled comedy that is slight and stretched thin to its toothless core. Amazingly, **Ghostbusters** cannot decide if it should remain faithful to its humble roots (it does help trivially that iconic Ghostbuster notables make scattered cameos--sans Rick Moranis--including that glorified scene-stealer in the Stay Puft Marshmallow Man as well as hot dog gulper Slimer) or venture off into something resembling its own goofy identity and distinction. Either way the third time around simply meanders in over-produced, noisy emptiness.

The so-called plot in **Ghostbusters** focuses on college professor Erin Gilbert (Wiig presumably in the Murray/Dr. Peter Venkman role) and her fascination with ghost activities that end up costing her an academic career in the process. Specifically, Erin's controversial book that she wrote along with co-author Abby Yates (McCarthy) served as the basis for her firing. Abby's obsession with ghosts still has her invested with this spirit phenomenon that she researches defiantly with her kooky associate Jillian Holtzman (McKinnon) in tow. Eventually, it would take the trio's status of joblessness (not to mention a run-in with a slim-spewing ghost that loves soaking humans with its sticky green goo) to collaborate on going into business as paranormal exterminators out to showcase their expertise in "busting ghosts".

In the meanwhile, there is something brewing in the twisted mind of supernatural-loving freak Rowan North (Neil Casey). After all, he is the lost soul responsible for unleashing the onslaught of riff-raffish apparitions upon New York City courtesy of his miserable, lonely existence. Now it is up to Erin, Abby and Jillian to eliminate Rowan's sinister agenda and eradicate the spooky pests that he has manipulated to cause the city-wide panic. As Internet sensational darlings, the Ghostbusters are committed to step up to the plate as the sassy saviors they were meant to be since going into the ghost-busting industry.

The later arrival of street-wise transit worker Patty Tolan (Jones) completes the Ghostbusters' quartet. Patty, whose run in with one of the slimy ghosts in the subway tunnel was pivotal to joining the three scientists, has something to offer the ghost-chasing brainiacs--a.) her knowledge of the city's whereabouts and b.) her funeral director uncle's hearse that serves as the official transportation for the Ghostbusters.

Overall, the third outing regarding this toothless entry **Ghostbusters** notoriously lacks the robust impishness and rapport of the male character counterparts that were devilishly drawn together and cemented by Murray's droll humor. Here, the ladies come off as bland and indifferent--at least for the Paul McCartney and John Lennon of the team in Wiig's Erin Gilbert and McCarthy's Abby Yates. McKinnon's Jillian Holtzman is the only truly spry Ghostbuster who is credible as an off-kilter genius ditz with off-the-wall likability. Some may gravitate towards Jones's stereotypical brassy black chick with the brash quips and animated overreactions. Although Jones brings in the high-wire urbanized smirks in contrast to her quieter, geekier counterparts it is cringe-worthy watching her play an over-the-top, towering, mouthy cultural exaggeration that is woefully embarrassing for the sake of this dismissive. hedonistic hoot.

Ironically it is the hunky Chris Hemsworth that fares decently as the handsome himbo Kevin, the dim-witted **Ghostbusters'** male assistant that serves as the doltish eye candy for the cerebral lasses, particularly for the smitten Erin. Another SNL alum, Cecily Strong, checks in as the menacing mouthpiece from the Mayor's office that tries to discredit the popular ghost-busting technicians as "sad, thrill-seeking women".

Feig, serving as both the film's director and co-screenwriter (along with "The Heat" scriber Katie Dippold) has no cohesive vision for the listless **Ghostbusters** and could have used some critical pointers in studying the proven anatomy of what made Reitman's nostalgic vehicle so engaging that still thrives after three decades since coming into the movie audience's consciousness. From the lame and limping laughs dipped in cartoonish crudeness (i.e. a male ghost gets a rousing jolt to his "junk" courtesy of his heroic ghost-busting detractors) to musical acts Fall Out Boy's/Missy Elliott's relentlessly unrecognizable, erratic and choppy remake of the aforementioned Parker's infectious **Ghostbusters'** theme song in this regurgitated comedy that has no excuse for catering to a lackluster rebirth while die hard and casual fans patiently waited for a festive follow-up from Murray and crew for thirty-plus years.

To randomly quote a classic **Ghostbusters'** lyrical line: "I ain't afraid of no ghosts". This may be the case but one should be very afraid of this heavy-handed banal boofest for wasting their time, anticipation and consideration.

**Ghostbusters (2016)**

Sony Pictures

1 hr. 44 mins.

Starring: Melissa McCarthy, Kristen Wiig, Leslie Jones, Kate McKinnon, Chris Hemsworth, Neil Casey, Cecily Strong, Charles Dance, Michael Kenneth Williams, Matt Walsh, Ed Begley, Jr.

Directed and Co-Written by: Paul Feig

MPAA Rating: PG-13

Genre: Comedy/Supernatural/Science Fiction/Action and Adventure

Critic's rating: ** stars (out of 4 stars)

--Frank Ochieng (c) 2016
I was determined to see this movie on opening day. Female cast, Paul Feig (a Michiganian who included a Michigan line in the film), a couple fistfuls of ridiculousity on social media. When the movie started, I was one-eyeing the screen. Waiting for it. Oh oh. Fart joke. Oh oh. Kristen Wiig still can't make her eyes look interested. Then Charles Dance shows up with his serious comic tongue stuck in his cheek to admonish Prof. Gilbert that if she is serious about tenure, she needs to find a more prestigious university recommendation. "More prestigious? Than Princeton?" Now I know the deadpan eye comic genius of Wiig, too. From that point on, I was in love with the story. Katie Dippold cowrote the film. She has a bit part as the real estate agent showing the team the 1984 movie's fire station to rent. I want more of her screenwriting. The dialogue is witty, sharp, real. While I liked the 1984 Ghostbusters, it's a buddy movie. Dudes in the treehouse with no girls allowed spelled wrong nailed to the door. Smug, chirpy, guybonics. Venkman electrocuting rivals in the lab: using paranormal research to get dates. Annie Potts drooling over Spengler. Sigourney Weaver in a diaphanous dress, draped on a parapet waiting for the Gatekeeper. The sore spots in 1984 are sprayed away in 2016 without gender disrespect. Gilbert gets to drool over the pretty doofus administrative assistant. When you see this movie, watch all the credits. Chris Hemsworth is a clearly confident actor - he dives pelvis-first into the Kevin role, and it's hilarious. I'm still searching for the creator of the titles and end credits. Excellent art. The poster? Not so much. Hemsworth needs to be behind the four leads. Geez. Casting hit a lick with Kate McKinnon as Holzmann. She is fantastic bringing Harold Ramis' genius back to life. Leslie Jones as Patty: so good, and she has some of the juiciest lines, delivered with haute sass. There are really well-placed cameos by 1984's cast, including birthing one of the movie's best lines "safety lights are for dudes." 2016 Ghostbusters is a great fun movie, and I'll watch it more than once again. One of the brilliant visuals that I was thrilled with - the stream from the proton packs tied up the ghosts. Wrapped, pinned, contained lassoed. Genius analogy for what to do with obsolete stereotype. There's a lassoed line in the film while the Ghostbusters are reading the internet reaction to their first catch. "Ain't no bitches gonna catch no ghosts." Yeah. Watch this.
Unfortunately this has become because of political correctness and its backlash almost impossible to rate objectively. In the 2016 North American wish to either redo every successful film ever made and present every conceivable variant in the process, for what could be deemed the lack of any possible originality of ideas, I still tried to enter this with an open mind, and see this as if the two films from the 80's (which I enjoyed very much the one time I saw each of them) had never existed. I should state I saw this in 3D (which I hardly ever do), with my lady and our respective sons.

I felt that it was quite funny and that the special effects were excellent. Next to 'Avatar', the use of 3D was the best I have ever seen. It's a popcorn flick well-worth seeing. Though I haven't seen any other movies by Feig or starring McCarthy, it made me want to go back and give them a shot at some time in the near future. There was something for everyone--both my lady and I enjoyed it very much--and the boys, three and thirteen years-old respectively, loved it as well. Give it a shot.
A SCREEN ZEALOTS REVIEW www.screenzealots.com

There’s an arbitrary sense of nostalgia that unfairly permeates audience perceptions of the new female-centric “Ghostbusters” reboot. I love the original 1984 film too; I wore out my VHS cassette when I was a kid and I’ve probably seen the movie dozens of times, including special theatrical re-releases and anniversary screenings. It’s almost as if all of this animosity is seen as a badge of honor for ‘serious movie fans.’

All of this badmouthing is truly unwarranted, especially if you actually go back and rewatch the original. Sure, the movie has comedy legend Bill Murray, the hilarious Rick Moranis, and memorable performances from Harold Ramis, Sigourney Weaver and Dan Aykroyd. It introduced us to the characters we all still love decades later, and made lines like “tell him about the Twinkie” a permanent part of movie nerd vocabulary. But to all the haters I say this: you are being very, very unfair. The 1980s era film has a lot of boring sequences and lags quite a bit, and as is the case with many movies, sometimes our nostalgia creates pretty thick rose colored glasses. We tend to only remember the good in our childhood favorites.

Put aside your bias: the new “Ghostbusters” honors the legacy of the original, is a fun retelling of the classic story, and it does not disappoint. THIS MOVIE IS FUNNY! THIS MOVIE IS ACTUALLY GOOD!

There are a couple of minor hiccups along the way (as with most comedies, not every joke sticks, and the ghastly Missy Elliott / Fall Out Boy remake of the already awful Ray Parker Jr. song “Ghostbusters” makes an unwelcome appearance), but overall the movie is a success. At first it may feel weird to see women Ghostbusters but any skepticism will quickly fade (there’s a new generation of young girls who will undoubtedly be inspired by these characters).

When estranged childhood friends and paranormal enthusiasts Erin (Kristen Wiig) and Abby (Melissa McCarthy) reunite, sparks are rekindled and they decide to get back to their ghost chasing roots. The smartypants duo is joined by weirdo nuclear engineer Holtzmann (Kate McKinnon) and subway worker Patty (Leslie Jones). When Manhattan starts to experience boatloads of specter activity, the friends get started on some good old fashioned poltergeist hunting.

A big part of why this movie works is the comedic talent of these women; their chemistry is evident and they play well off each other, and the positive themes of loyalty and friendship never once feel fake. All of the actors are proficient at physical comedy and all have impeccable timing. This movie is very funny and the jokes had (and kept) me laughing from the beginning (there’s a particularly hilarious sequence at a heavy metal concert that’s worth the price of admission).

Rounding out the amusing performances is Chris Hemsworth as Kevin, a completely clueless stud muffin who is hired as the women’s receptionist solely based on his beefcake good looks. This feminist spin on the dumb secretary stereotype is exactly the type of lampoon I was hoping for here. In fact, the film doesn’t shy away from all of the lady haters either: there are lots of self-referential bits that directly address all of the critics (my favorite being Holtzmann’s ‘One of the Boys‘ t-shirt). Girl power!

Fans of the original will also appreciate several in-jokes and references, and there’s a long line of fun cameos (which I won’t spoil here: just keep your eyes open and be sure to stay through the end credits)! The special effects have been given a serious upgrade as well: these ghosts look real, feel real, and are appropriately scary-yet-funny. When the ladies first fired up their proton packs, I began cheering internally.

“Ghostbusters” is exactly what a summer movie is supposed to be. It’s big in scope, it’s full of hearty laughs, it’s filled with terrific performances from all of the leads, it’s stuffed with stunning special effects, and it’s something the entire family can enjoy. All of you naysayers really need to lighten up because this is a really, really fun movie.

**A SCREEN ZEALOTS REVIEW www.screenzealots.com**
**The ghosts are real and the scientists are hunting them down!**

First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.

The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

_6/10_
**The ghosts are real and the scientists are hunting them down!**

First of all I am not a fan of the original film, but I enjoyed watching them. So I anticipated this film for the updates to deliver what I'm looking for, including some good jokes, but I found it an average film. I am very interested to have the women's version of hit the films and vice versa, but there are not many films in this category. All I wanted was 'The Expendables', but they made this one. I think it was a great idea, though the execution was really impressive.

The story was okay type, they kept it very simple. No big developments, except two main characters. But all the four women were good, along with Chris Hemsworth as a worthy sidekick. The director whose favourite casting actress, Melissa McCarthy's fourth film with him in four years and he did his job well, but the screenplay lets the film down.

There's no major comparison with the original, because this is a reboot and obviously has similar appeal from visual to comedies. Except they talk too much science thing because of todays advanced science. The disappointments are the ghosts, the film did not give preference for them to show their atrocities. I mean the perspective was always from the women gang who fights them. Definitely a one time watchable film, for its decent graphics, performances and some good comedies.

_6/10_
This movie was a huge disappointment! The only positive thing I can say about it is that the special effects where not half bad. The movie itself was childish, unfunny, unintelligent and generally really bad.

Some reviews giving this movie 9 or 10 stars (which is just ludicrous) are saying that people cannot handle the feminism in the movie. What feminism? Replacing the original actors with women is not feminism as far as I am concerned and anyway, if you care about such things should it not have been two women and two men to be politically correct? Also, the supposedly intelligent women in this movie behave in a typical old-fashioned Hollywood stereotype of women way. They are mostly downright silly. If I were a feminist I would actually have been insulted by this movie.

Then we have the male clerk that is dummer than a piece of rock. If someone had stacked four supposedly intelligent men and a single blond bimbo that is totally devoid of any trace of intelligence together in a movie the social justice warriors would have cried foul so loud that you could hear it across the planet. But since it is four women and a stupid male it is okay (not really). It is even feminism according to some people. What a load of bollocks.

There is actually a story in the movie although it is well hidden under the silly jokes and silly behavior. It is paper thin and rather silly in itself but it could have worked if the rest of the movie was up to snuff but sadly it is not.

As I wrote above the only good thing about this movie is the special effects. The few scenes that I actually enjoyed was during the big shoot out at the end which had some cool moments. I especially liked when Jillian pulls a pair of pistols out of her Ghostbuster suit and goes on a ghost killing spray.

Apart from that this movie is best forgotten.
This movie is horrible. It plays like an overly long SNL sketch. The only saving grace is that this lost so much money that there will not be a sequel. Unfortunately for the fans, this means that the franchise is likely dead in the water for a long time.
This movie is a disaster. The casting is way off. The special effects are mediocre. The story is merely a retread from the original... and they shoot the original logo in the crotch. There is nothing good about this production. What a waste of a perfectly good franchise.
As a male nerd who grew up in the 1980's watching both original movies and the cartoon, running around with my toy proton pack and catching imaginary ghosts in my basement, I should be of the demographic complaining about how this ruins my childhood or that a cast of all women is just a stunt in the name of political correctness, or whatever their issue is. But the truth is, I REALLY enjoyed this movie.

The four female leads were absolutely hilarious--especially Kate McKinnon who steals every scene she is in. The other three characters have more growth, more of a story arc, and are more fleshed out as people in general. But McKinnon makes the most out of the available material and creates a very fun and memorable character.

The comedy of the 2016 version, while equally effective, is completely different from the dry humor of the original. The absence of Dan Aykroyd's and Harold Ramis's ludicrously funny lines delivered with a straight face, and the deadpan humor of Bill Murray has been switched out with a more over-the-top and in-your-face style of humor. It's not as subtle. Ghostbusters (1984) made me chuckle; Ghostbusters (2016) made me laugh out loud.

While a lot of the original's comedy came from the ghosts themselves, i.e. that they're funny instead of legitimately scary, the new version reverses that. There is some very creepy imagery involving things like old timey parade balloons, ghosts pushing against mirrors, and other things that seemed inspired by American Horror Story. Plus, there were some good jump scares, boo moments, that actually caught me off guard.

Much like a guitar amp out of Spinal Tap, this film turns both the scares and the comedy up to 11 with great results.

I haven't had this much fun at a movie in a long time. The trailer is NOT a valid way to judge this film. The trailer seemed to splice together all the ineffective moments and jokes of the film. But those were the exceptions and not the rule. The rule here is fun, entertainment, laughs, and the occasional scare. When the film works, it works remarkably.

The only real misstep was Chris Hemsworth's character. While the gender role reversal of the hot blonde ditz secretary was brilliant and long overdue in a mainstream summer movie, he was just too dumb to be believable. The character of Kevin belonged in a cartoon and not a legitimate movie.

The best line in the movie references Jaws and Annie Potts' cameo made me cheer.

However...

If you've already decided you hate this movie without even seeing it, you probably won't like it. That's how these things usually work. But, if you have an open mind and are reserving judgement, I suggest you see it. You will be pleasantly surprised.
I didn't watch this for quite a while because I heard so many bad things about it. "What do they know?" I thought to myself. I figured _Ghostbusters_ had already had a bad sequel I sort of enjoyed, a bad remake should be sort of enjoyable too. Besides, you just **know** that so many of the complaints were exclusively because the cast had been of the dreaded ~~fEmaLe VeRsiOn~~ variety. But I just watched it, and... Oh man you guys, this really did suck. I'm devastated.

_Final rating:★½: - Boring/disappointing. Avoid where possible._

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